The Nagaland State Emporium Complex, a seven-storey facility dedicated to the promotion and preservation of the state’s rich handloom, handicrafts, and cultural heritage, was formally inaugurated by Chief Minister Dr Neiphiu Rio on June 6 in Kohima. Alongside the inauguration, the Naga Unity Shawl, envisioned as a common cultural emblem to unite Nagaland’s diverse tribes, was also launched.
The inaugural event saw the presence of key dignitaries including Prasielie Pienyu, Chairman of the Nagaland Handloom & Handicrafts Development Corporation Ltd. (NHHDC), who described the complex as “a symbol of our cultural pride, the resilience of our artisans, and the economic potential of the handloom and handicrafts sector in Nagaland.”
Dr Neiphiu Rio highlighted the complex’s importance, calling it a “beacon of identity and opportunity” that reflects the state’s unique diversity. “Our state’s diversity, embodied in over 17 major tribes, gives rise to a rich tapestry of customs, attire, and traditional artistry. Every motif and weave tells a story. We must preserve and promote these with authenticity and pride,” the Chief Minister said.
He emphasized the need for “proper documentation and quality control” across the sector. “Authenticity must not be diluted. Designs must be approved by tribal authorities before production. Let us protect the integrity of our culture even as we adapt for broader markets,” Dr. Rio added.
The Chief Minister also called for collaboration between professional designers and local artisans, encouraging efforts to add value beyond exporting raw materials. “Let us not merely export raw materials, but create finished products that showcase the richness of our traditions,” he said, urging both government and private partners to invest in skills, institutions, and marketing to elevate Nagaland’s craftsmanship to “global standards.”
Prasielie Pienyu provided details of the complex, stating that it houses “a dedicated state emporium on the first floor, three floors of shopping areas, a restaurant and library, a fully furnished conference hall, guest accommodations for visiting artisans and officials.”
The Naga Unity Shawl was a key highlight of the day. Designed to visually represent the collective identity of Nagas across tribal lines, the men’s shawl “features three panels: the top and bottom panels display the commonly used Naga colours—black, red, and white—while the central panel is white, bordered with black and adorned with painted or embroidered motifs symbolizing elements common to all Naga tribes.”
The women’s shawl, meanwhile, is “a single-panel design divided into three sections. The top and bottom sections feature multicoloured stripes reflecting the colour palette seen across Naga women’s attire. The central white section includes motifs inspired by traditional ornaments and crafts, signifying the artistry and strength of Naga women.”