Among the many remarkable cultural treasures of the Naga people, the log-drum holds a place of rare reverence—especially among the Ao Nagas, who once regarded it as a “living deity” of the village. The log-drum was more than an instrument; it was the voice of the village, sounded during emergencies, celebrations, and communal gatherings. Each beat carried a meaning, understood instinctively by the people. Though its spiritual significance has diminished with time and the advent of Christianity and modernity, the log-drum remains a powerful symbol of unity, memory, and freedom.
It is worth reflecting on the immense human effort and craftsmanship that went into creating these majestic drums. In an era with no machines or mechanical assistance, our forefathers carved these giant log-drums by hand, often from massive single tree trunks. The skill, precision, and patience required for such intricate work are beyond admirable. Once carved, these enormous structures were not simply placed in the village – they were dragged uphill, often across rugged terrain. This task demanded incredible coordination, physical strength, and sheer willpower, as entire villages worked together to transport these drums to their rightful place. It was a feat not just of engineering but of community spirit.
Among the Aos, and likewise among Eastern Nagas like the Konyaks, Changs, Sangtams, Phoms, and Yimkhiungs, the log-drum bore distinct names, each embedded with local significance. But its shared essence remains a cultural cornerstone.
Today, it is heartening to see that a real log-drum will be pounded at the Moatsü Festival in Mokokchung town. However, it is deeply regrettable that many Ao villages have lost their log-drums, and others have ceased to use them altogether. These cultural assets must be preserved not only as relics of the past but as living symbols of identity.
The Naga log-drum, especially the grand ones like that of Aliba village, stands among the largest and most significant in the world. Its preservation must be prioritized – not as a museum piece, but as a living cultural asset. Let us appreciate the spirit, strength, and ingenuity of our ancestors by safeguarding what they built with their bare hands and unwavering hearts. The log-drum must live on.